Examples to adapt
- A tiny glass bird warms beside a glowing workshop furnace. A slow camera push reveals light refracting through its amber wings. The bird lifts its head and spreads its wings. Sound: a low furnace hum, delicate glass chimes, and no dialogue.
- An unbranded brushed-metal watch rests on dark volcanic stone. The camera makes a slow close-up arc as a thin warm light moves across the bezel and the second hand begins to sweep. Sound: one precise mechanical click and a quiet studio ambience.
- An old illustrated atlas opens on a wooden library desk. Tiny paper mountains rise from the page and a warm lighthouse begins to glow. A low camera move follows a paper river. Sound: rustling pages, tiny bell tones, and soft library room tone.
Why the "Sound:" line helps
Separating sound into its own short line keeps it from competing with the visual description and makes it easy to change between takes.
Refining a take
Keep what worked and change one thing — the camera move, the light or the sound cue. Generation time varies with the scene and demand; the studio shows the real progress of each session.